Category: Entertainment

June 22: Filmmaker Shekhar Kapur has expressed enthusiasm over composer A. R. Rahman recording a track for the upcoming film project “Masoom: The Next Generation.”

The collaboration has generated strong interest within the film industry, bringing together two of India’s most celebrated creative talents. Rahman’s involvement is expected to add significant musical depth and emotional resonance to the project’s soundtrack.

Shekhar Kapur shared his excitement about the development, noting the creative synergy and artistic vision behind the music recording. He highlighted the importance of the composition in shaping the film’s overall narrative tone.

Masoom: The Next Generation is positioned as a continuation of the legacy of the original film, with anticipation building around its music and storytelling. The association with A. R. Rahman has further elevated expectations for the project among audiences.

Industry observers say the collaboration reflects a meeting of strong cinematic and musical sensibilities, both known for their global recognition and artistic impact.

Further details regarding the film’s production timeline and music release are awaited.

June 22: Actor Alia Bhatt extended a heartfelt gesture to India’s fastest sprinter Gurindervir Singh by gifting traditional “motichoor ladoo” sweets, celebrating his achievements in athletics and his contribution to Indian sports.

The exchange highlights a moment of appreciation and encouragement for India’s growing sporting talent, with the gesture symbolising goodwill and recognition beyond the field of entertainment and athletics.

Gurindervir Singh, known for his record-breaking performances on the track, has emerged as one of India’s prominent sprinting talents in recent years. The recognition from a leading public figure adds to his growing profile and reflects increasing public interest in track and field achievements in India.

Alia Bhatt’s gesture has been widely viewed as a celebration of sporting excellence and cultural tradition, blending encouragement with a symbolic expression of support through a traditional Indian sweet often associated with celebration and success.

The interaction has been welcomed by fans across social media, who have appreciated the moment as a positive example of cross-domain recognition between entertainment and sports.

Such gestures continue to highlight the growing connection between India’s entertainment industry and its sporting ecosystem, where athletes are increasingly being acknowledged for their accomplishments on national and international stages.

Eminent artists and disciples gathered at Gita Govinda Sadan, Bhubaneswar, to celebrate the enduring musical legacy of the legendary sitar maestro through soulful classical performances

Bhubaneswar, June 21: A musical tribute programme in memory of the renowned sitar maestro, Guru Pandit Suramani Bauri Bandhu Sethi, was organized this evening at Gita Govinda Sadan, Bhubaneswar, jointly by Swaranjali Delhi and Shreyas Webmedia solutions.

The programme was inaugurated with the ceremonial lighting of the lamp by Shri Surendra Das, Editor of Chinta O Chetana and a senior organizer. Distinguished guests included Smt. Pankajini Sethi, wife of late Pandit Suramani Bauri Bandhu Sethi, Shri Neel Achary, Shri Partha Sarathi Lenka, and Smt. Gouri Achary.

The event was organized through the efforts of Pandit Subrata De, a beloved disciple of the late maestro and the chief artist of Swaranjali Delhi. The programme was coordinated by Guru Alok Das.

The event commenced with an invocation dance (Mangalacharan) and Sthayi presentation by dancer Geet Mallik. In the second segment, students of Mancheswar Shishu Niketan—Om Prakash Mahalik, Srittik Kuanr, Dipanki Rana, Saismita Mahanti, Suprip Jena, Salvi Tanaya Rout, Saikrupa Das, and Ananya Pattnaik—presented a group classical vocal recital under the guidance of Guru Abhimanyu Sahu. They were accompanied on the tabla by Guru Jitendra Sahu.

In the instrumental segment, Shri Jiban Prakash Das on sitar and Dr. Sandeep Kumar Rout on sarod performed a jugalbandi in Raga Mishra Shivaranjani, presenting a vilambit composition in Ektal followed by a drut composition in Teentaal. They were accompanied on tabla by young tabla artist Matru Prasad Panda and on tanpura by Lakshmipriya Behera.

Dr. Bilambita Banisudha presented Hindustani classical vocal music in Raga Madhukouns, including a vilambit composition in Ektal, a drut composition in Teentaal, and Hindi bhajans. She was accompanied on tabla by Guru Kulamani Sahu, on harmonium by Guru Dhaneswar Ojha, and on tanpura by Kehera.

The concluding performance featured Pandit Subrata De, who presented Raga Desh and a Dhun on the sitar. He was accompanied on tabla by Guru Prana Prakash Das.

The sound arrangement was managed by Mrudul Nath, audio technician from RMS Audio, Hyderabad.

On behalf of Mancheswar Shishu Niketan, Smt. Mayuri Sinha and Smt. Bijayalakshmi Mishra received honors. All participating artists were felicitated with certificates of appreciation by Swaranjali Delhi in recognition of their contributions to the programme.

The makers of Vvan: Force of the Forest, starring Sidharth Malhotra and Tamannaah Bhatia, are missing no chance in offering a grand cinematic spectacle. Filmmakers of this fantasy folklore thriller have planned a 10–day additional shoot to amp up key sequences, with special focus on the climax to make Vvan an even richer theatrical experience. After going through the film’s final cut, the makers thought certain scenes could be strengthened further for a better payoff.

“The team simply felt there was scope to make few scenes bigger and more dramatic. When you’re building a world as unique as ‘Vvan’, every detail matters,” says a source close to the production.

Helmed by director Deepak Kumar Mishra and Arunabh Kumar, Vvan: Force of the Forest combines mythology, mystery and forest lore. As per the insider, the team is pleased with the film’s progress so far and feels that certain scenes can be further elevated.

 “The makers are extremely happy with the film. These additions will give audiences an even richer payoff in the final act,” adds the source. The film is expected to release in theatres on August 28.

June 18: Brompton Technology’s Tessera LED processing platform is at the core of a state-of-the-art virtual production studio at the London Academy of Music & Dramatic Art (LAMDA), one of the world’s most respected drama training institutions. Supplied and integrated by Universal Pixels, the installation forms part of a significant strategic investment by LAMDA in emerging screen technologies, and is already reshaping how the school trains the next generation of creative professionals.

The studio is centred around a 7m wide by 3.5m high LED volume of AOTO RM 2.3 panels on a gently curved structure using 2.5° panel increments, and driven by a Brompton 4K Tessera SX40 LED processor alongside two Tessera XD 10G data distribution units. Running in conjunction with Unreal Engine, the volume renders real-time environments ranging from photorealistic exteriors to fully abstract sci-fi worlds. It sits alongside a dedicated 30-camera Vicon motion capture volume with a sprung floor, a combination that places LAMDA’s facility among the most technically advanced of any drama school in the UK.

Rather than treating the technology as an add-on, LAMDA has made the LED volume a genuine academic priority. It features across the school’s full range of programmes, from its Foundation in Stage and Screen (CertHE) and BA Professional Acting through to MA/MFA courses in Classical Acting, Musical Theatre, and Professional Acting. The new studio serves as a shared space where acting, directing, and production & technical arts students work together, mirroring real-world virtual production practice.

The choice of Brompton processing was a considered one. Head of Innovation Bethany McShepherd is clear that LAMDA’s students deserve nothing less than the tools they will encounter in the industry. “LAMDA’s graduates are the future of the creative industries,” she says. “Investing in their careers with the very best technology and the very best training is what matters most to our institution.”

With LED volumes now standard on high-end film and TV productions, from prestige streaming drama to commercials, students working inside LAMDA’s volume engage with the same workflows, technical language, and environmental demands they will meet on professional sets, long before they graduate.

Charles Douglas, Assistant Professor of Acting and Directing with Emerging Technologies and Head of Screen & Audio Training, sees the potential as transformative. “This technology opens the door to XR or mixed reality, to new ways of making films, and to extending the physical stage and the spaces in which we work,” he says. “Using it in practice is one thing, but it’s also an invitation to reimagine the frame of what we do. That’s an important departmental mandate for us, to catalyse a new chapter of performance and storytelling.”

Brompton’s API has also become an integral part of how students are taught to work on set. Through an integration with BitFocus Companion, test patterns can be triggered via a Steam Deck, enabling students to quickly identify hardware or cabling issues and move efficiently through the troubleshooting process. The reliability and colour consistency of the Tessera platform, meanwhile, give LAMDA the confidence to use the volume not just for student projects, but for professional-grade output: the system supports graduate films, commercial digital assets, and collaborative research productions with equal consistency.

That professional reach is already evident in the work produced. A short film made in partnership with Media Trust, funded by The Crucible Foundation and based on stories from Prison Reading Groups, was shot entirely within the volume and features actor Ralph Ineson. The space has also played a central role in the LAMDA x Lyric Future Technicians Programme, a widening participation initiative delivered with the Lyric Hammersmith Theatre, through which a cohort of young people from West London recently got hands-on experience with professional filmmaking infrastructure. For many, this was their first encounter with this level of technology. For Assistant Professor of Screen Acting, Gary Pillai, the purpose of all of it is straightforward: “Our remit now is to understand that and make sure our graduates are really able to walk into the profession, and the screen acting element of the industry, straight away.”

“We were proud to work with LAMDA on this project, supplying the technology that gives students hands-on access to professional production workflows used throughout the film and TV industry,” adds Dan Edmonds, Film & TV at Universal Pixels. “Facilities like this play an important role in bridging the gap between education and industry, helping students gain practical experience with the tools they’ll use throughout their careers.”

Beyond the technical specification, LAMDA’s relationship with Brompton reflects something deeper. The school’s strategy is built around a ‘Partnership First’ principle, and Head of Marketing & Communications, Stephen Court, describes Brompton as a direct expression of that approach. “Brompton Technology is a prime example of a partner who shares our values of being inquisitive, innovative, and inspiring,” he says.

The scalability and forward compatibility of Brompton’s platform mean the investment is built to evolve alongside both the curriculum and the wider industry. “It’s not just about servicing the industry with skilled talent,” Douglas concludes. “It’s about actively working with innovative productions at LAMDA to move both training and practice forward.”

The volume has been operational for just over a year. On the strength of its first 12 months, it is clear this is only the beginning.

Mumbai, June 18: The beloved anime icon Doraemon is set to return to Indian cinemas on October 2 with an exciting new adventure centered around his famous “Anywhere Door,” a magical gadget that allows travel to virtually any destination.

The upcoming film promises a captivating blend of fantasy, friendship, and adventure, bringing together Doraemon and his friends on a journey that explores new worlds and unexpected challenges. Known for inspiring generations of young viewers, the franchise continues to enjoy immense popularity among Indian audiences.

The theatrical release is expected to attract families, children, and long-time fans of the iconic character, offering a wholesome entertainment experience during the festive season. The film showcases the imaginative storytelling and heartwarming themes that have made Doraemon one of the most recognizable and enduring characters in global animation.

Industry observers expect the release to strengthen the growing appeal of Japanese animated films in India, where anime has witnessed a significant rise in popularity in recent years.

With its blend of magical adventures, emotional storytelling, and beloved characters, the latest Doraemon film is poised to be a major attraction for audiences when it arrives in cinemas nationwide on October 2.

World Music Day: Singers Who Redefined Romance for the New Generation – Diljit Dosanjh, Laqshay Kapoor to Vishal Mishra

World Music Day Special: Stebin Ben, Laqshay Kapoor to Darshan Raval: Singers Redefining New-Age Romance through Music

Mumbai, June 17: The makers of the upcoming historical drama Batwara 1947 have unveiled the much-awaited first look of lead actors Sunny Deol and Preity Zinta, offering audiences a glimpse into a powerful story set against the backdrop of India’s Partition.

The first-look posters introduce the central characters whose lives are profoundly shaped by the events of 1947, one of the most defining and emotionally charged chapters in the history of the Indian subcontinent. With the tagline, “Meet those who lived through it,” the film aims to portray the human experiences, sacrifices, resilience, and emotional turmoil faced by millions during the Partition.

The visuals have generated considerable excitement among cinema enthusiasts, with Sunny Deol appearing in a strong and intense avatar, while Preity Zinta’s look reflects the emotional depth and complexities of the era. The film marks a significant project for both actors and is expected to blend historical events with compelling personal narratives.

Industry observers believe that Batwara 1947 has the potential to resonate deeply with audiences by revisiting a pivotal moment in history through the lens of ordinary people caught in extraordinary circumstances. The film is expected to highlight themes of identity, displacement, courage, and hope amid one of the largest mass migrations in human history.

Following the release of the first look, anticipation has grown among fans eager to see the celebrated actors share screen space in a story rooted in history and human emotions. More details about the film’s release schedule and promotional campaign are expected in the coming weeks.

Bhubaneswar, June 12: Shreyas Webmedia Solutions was delighted to participate in the vibrant Raja Mahotsav 2026, hosted by the World Trade Center (WTC) Bhubaneswar at The Jalsa, Kalinganagar. The event beautifully celebrated the spirit of Raja Parba, one of Odisha’s most cherished cultural festivals that honors womanhood, nature, and joy.

The celebration brought together the WTC Regional Director, distinguished members, entrepreneurs, business leaders, and professionals from various sectors for an evening of cultural celebration, networking, and togetherness. The festive atmosphere, traditional attire, and warm hospitality created a perfect platform for interaction, relationship-building, and community engagement. Participants enjoyed meeting fellow entrepreneurs, exchanging ideas, and celebrating the rich heritage of Odisha in a joyful and festive environment.

A special Game Zone was organized to keep participants engaged and entertained throughout the event. Members enthusiastically participated in exciting activities such as Tombola, Musical Chairs, Dum-Te-Raas, Glass Fun Games, and an interactive Question & Answer Round, which brought laughter, friendly competition, and excitement to the gathering. The games encouraged teamwork, participation, and added a vibrant energy to the celebration.

The event also featured captivating cultural performances, including dance presentations and an open floor for members to showcase their talents. Winners of various games and competitions were felicitated with attractive prizes and gifts, making the occasion even more memorable. One of the highlights of the evening was the recognition and crowning of the Best Raja Queen and Best Traditional Costume Winner, celebrating grace, confidence, and cultural pride.

Special arrangements such as Mehendi (Henna), Altaa Application, and Gajara (Flower Adornment) added traditional charm to the festivities, especially for women participants. Guests also enjoyed a delightful spread of authentic Odia delicacies, including Aloo Dum & Dahi Bara, Golgappa, Traditional Sweets, and Paan, which added flavor to the celebrations.

Representing Shreyas Webmedia Solutions, members of the senior management team actively participated in the cultural activities, games, networking sessions, and festive celebrations. The team thoroughly enjoyed the event, sharing moments of happiness, fun, and togetherness with fellow entrepreneurs and WTC members. The Raja Mahotsav served as a wonderful opportunity to strengthen professional relationships while celebrating Odisha’s rich cultural traditions in a spirit of unity and joy.

Shreyas Webmedia Solutions extends its sincere appreciation to WTC Bhubaneswar and the organizing team for hosting such a successful and memorable event and looks forward to participating in many more community and business networking initiatives in the future.

Buenos Aires, Argentina, June 11: WSDG has completed the acoustic and technical design of Swing Music 2.0, a new dual-studio creative environment developed for acclaimed Argentine composers and producers Andres Goldstein and Daniel Tarrab, founders of leading Latin American music production company Swing Music.

Having previously collaborated with WSDG on the original Swing Music studio, Goldstein and Tarrab once again partnered with the firm, led by Senior Partner and Co-CEO Sergio Molho, to create a new generation of production spaces tailored to the evolving demands of contemporary film, television and multimedia composition.

Designed as two distinct but interconnected creative environments, Swing Music 2.0 reflects the individual workflows and artistic personalities of its owners while maintaining a cohesive production identity. The studios support the full spectrum of modern soundtrack production, from composition and programming to recording, editing, mixing and remote collaboration.

“Over the years, the way we work has evolved enormously,” says Goldstein. “We needed spaces that could support very long creative sessions, allow us to move quickly between different stages of production, and still feel inspiring and comfortable every day. WSDG understood that immediately and translated it into rooms that genuinely support the creative process.”

Located in Buenos Aires, the project was developed around the increasingly hybrid nature of modern music production. WSDG’s brief included acoustic design, technical integration, workflow planning, lighting design and technical interior design for both studio environments.

Rather than creating two identical rooms, WSDG worked closely with Goldstein and Tarrab to shape each studio around their individual working methods and technical preferences.

“Each of us has a very personal relationship with sound, instruments and workflow,” explains Tarrab. “What I appreciated most was that WSDG never approached the project with a ‘one-size-fits-all’ mentality. They listened carefully to how we actually create music and designed spaces around that reality.”

Goldstein’s studio, Swing Godoy Cruz, is centered around a hybrid scoring workflow and features a master Mac system alongside a dedicated Mac slave for sound libraries, a Smart TV for picture reference, Genelec 8331A monitoring, Focusrite Scarlett 4th Gen interface, Avalon compressor, Studiologic control surface, keyboard controller, Beyer headphone distribution, and AKG 414 and Neumann microphones.

Meanwhile, Tarrab’s Swing Control Z Studio combines digital production tools with an extensive collection of instruments and analog equipment. The studio features a Hackintosh master computer, PC slave, StudioLogic SL88-Grand, Studiologic SL Mixface, Avalon AD2022 preamplifier, SSL 2+ interface, Genelec 8040A monitoring, AKG 414 and Neumann U87 microphones, as well as a curated instrument collection including a 1905 Steinway & Sons Vertegrand piano, Yamaha CP70, Fender Jazz Bass and multiple Epiphone guitars.

Throughout the project, WSDG focused on balancing acoustic precision with musicality and comfort, ensuring that both spaces could function as highly technical production environments without losing their sense of intimacy and creative character.

“One of the most important aspects of this project was creating spaces that disappear when you’re working,” adds Goldstein. “Technically, everything performs exactly as we need it to, but emotionally the studios also feel warm, relaxed and musical. That balance is extremely difficult to achieve.”

For Tarrab, the collaborative process itself became one of the defining strengths of the project.

“Working with Sergio and the WSDG team felt incredibly collaborative from beginning to end,” he says. “There was a real understanding that these studios were not just technical rooms, but creative environments where ideas need to flow naturally. That level of sensitivity made a huge difference.”

Swing Music 2.0 now serves as a flexible and future-ready production hub supporting the composers’ growing body of soundtrack, television and multimedia work. Throughout their careers, Goldstein and Tarrab have contributed to a number of internationally recognized film and television productions, including Some Who Lived, directed by Luis Puenzo and produced by Steven Spielberg; Lucía Puenzo’s XXY, which screened at Cannes in 2007; the Emmy-winning Inheritance, directed by James Moll; Netflix’s Nadie Nos Vio Partir; Prime Video’s La Jauría; and Señorita 89 for StarzPlay.

“Swing Music 2.0 represents exactly the kind of highly personalized creative environment we are passionate about designing at WSDG,” concludes Molho. “Andres and Daniel each have their own unique artistic processes, and our goal was to create spaces that technically support those workflows while also preserving the emotional and creative energy that is so essential to music composition. The result is a pair of studios that feel deeply personal while functioning together as one cohesive production ecosystem.”